{"id":54726,"date":"2016-09-30T11:27:00","date_gmt":"2016-09-30T16:27:00","guid":{"rendered":"https:\/\/content.findlaw-admin.com\/ability-legal\/supreme\/legal-commentary\/will-the-future-bring-even-more-important-copyright-issues-than-the-ones-raised-by-online-file-swapping.html"},"modified":"2016-09-30T11:27:00","modified_gmt":"2016-09-30T16:27:00","slug":"will-the-future-bring-even-more-important-copyright-issues-than-the-ones-raised-by-online-file-swapping","status":"publish","type":"supreme","link":"https:\/\/supreme.findlaw.com\/legal-commentary\/will-the-future-bring-even-more-important-copyright-issues-than-the-ones-raised-by-online-file-swapping.html","title":{"rendered":"Will the Future Bring Even More Important Copyright Issues Than The Ones Raised by Online File-Swapping?"},"content":{"rendered":"\n<div class=\"wp-container-core-columns-is-layout-9d6595d7  fl-block-columns fl-sectionWithSidebar fl-container fl-flex fl-flex-wrap fl-gap30\">\n    \n    <div class=\"fl-page-articles   fl-block-column fl-section-main fl-section-main-full-width\">\n        <div class=\"yui-g\" id=\"leftcol-module\">\n      <!-- Right Line of Links Section -->\n      <!-- BEGIN PICTURE INSERTION -->\n      <!-- BEGIN TITLE AND AUTHOR INSERTION -->\n      <table>\n        <tr>\n\n          <td width=\"100\" rowspan=\"3\" class=\"wiauthor\"><a href=\"\/legal-commentary\/julie-hilden-archive\"><img decoding=\"async\" src=\"https://supreme.findlaw.com/static/f/images\/writ\/julie.hilden.jpg\" border=\"0\"><\/a><\/td>\n          <td class=\"wititle\"><h1>Will the Future Bring Even More Important Copyright Issues Than The Ones Raised by Online File-Swapping?<br><span class=\"subtitle\">The Thorny Question of How to Define Copyright for New Media<\/span><\/h1><\/td>\n        <\/tr>\n        <tr>\n          <td class=\"wiauthor\"><a href=\"\/legal-commentary\/julie-hilden-archive\" class=\"graybold\"><h2>By JULIE HILDEN <\/h2><br><\/a>\n<a class=\"graybold\" href=\"mailto:julhil@aol.com\">julhil@aol.com<\/a><br>\n&#8212;-\n<div align=\"right\" class=\"smalltext-date\">Tuesday, May. 24, 2005<\/div><\/td>\n\n        <\/tr>\n      <\/table>\n      <span class=\"smalltext\"><p>The issue of online file-sharing &#8211; or file-stealing, depending on your point of view &#8211; has dominated discussions of Internet copyright law thus far, and rightly so.  As I discussed in <a href=\"\/legal-commentary\/the-supreme-court-finally-steps-into-the-fray-between-online-file-swappers-and-the-major-movie-and-recording-studios.html\" class=\"left-link\">a recent column<\/a>, the stakes are very high &#8211; and the Supreme Court is primed to finally address this issue in the <i>MGM v. Grokster <\/i>case. <\/p>  <p>It&#8217;s well-established that copying files in order to swap them &#8211; and swapping typically involves some activity that counts as copying &#8211; is a copyright violation. But the questions of whether sites hosting file swapping are liable for vicarious or contributory infringement &#8211; and if so, when &#8211; remain largely unanswered.<\/p>  <!-- 300x250 AD -->\n\n<p>However the Supreme Court opts to address these questions, the real question may be whether the Court&#8217;s decision is enforceable. The combination of Internet anonymity and the option of locating servers offshore may raise fatal obstacles to effective enforcement of any anti-file-swapping ruling. <\/p>  <p>Indeed, when I recently attended an industry conference, film and television company leaders shrugged their shoulders when the file-sharing issue came up. Either they haven&#8217;t found a strategy to confront this issue, or they&#8217;ve decided it&#8217;s wiser to keep it to themselves. But if disclosure threatens the strategy, it may not be much of a strategy at all: To be hackproof, a strategy ought to continue to be effective even <u>after<\/u> it&#8217;s disclosed. <\/p>  <p>In this context, it seems almost unthinkable that there could be an Internet copyright issue more important than the ones file-swapping raises. <\/p>  <p>Yet, as I will explain in this column, it&#8217;s very possible that equally &#8211; if not <u>more<\/u> &#8211; important Internet copyright issues may be on the horizon. Moreover, these issues may relate not only to how we get our entertainment, but also to how we get our news.<\/p>  <p>The issues are as simple and fundamental as they are troubling: Exactly how much content may be copied on the Internet &#8211; and of what kind &#8212; before copyright is infringed?  And more deeply, when is content &#8220;copied&#8221; in the first place when it comes to the Internet? Does the fact that the copying is done via a machine editor &#8211; not a human editor &#8211; make a difference? <\/p>  <p><b>An Ingenious Futurist Scenario Shows Why the Question Is Important<\/b><\/p>  <p><b> <\/b>I was prompted to address these questions after reading a very clever set of predictions for the future of Internet media written by Robin Sloan and Matt Thompson.<\/p> <p>\n<!-- MIDDLE AD PLACEHOLDER -->\n I encourage readers to watch <a href=\"http:\/\/www.broom.org\/epic\/\" class=\"left-link\" rel=\"noopener\">the entire eight-minute flash movie<\/a>, but in this column, I&#8217;ll focus on a few particular predictions Sloan and Thompson make. To summarize these predictions, I&#8217;ll be quoting from Robin Good&#8217;s English <a href=\"http:\/\/www.masternewmedia.org\/news\/2004\/11\/29\/summary_of_the_world_googlezon.htm\" class=\"left-link\" rel=\"noopener\">transcript of the movie<\/a>:<\/p>  <p>The year 2007 sees the advent of a service &#8211; the Microsoft-owned, Friendster-derived Newsbotster &#8211; that <b>&#8220;<\/b>ranks and sorts news, based on what each user&#8217;s friends and colleagues are reading and viewing and \u2026 allows everyone to comment on what they see.&#8221;<\/p>  <p>But as of 2008, Newsboster has a competitor: Googlezon, formed by the merger of Google and Amazon. To form this titan, Google supplies (among other things) &#8220;unparalled search technology,&#8221; while Amazon supplies &#8220;the social recommendation engine and its huge commercial infrastructure.&#8221; <\/p>  <p>(The &#8220;social recommendation&#8221; engine to which Sloan refers amounts, I believe, to a number of features of Amazon: Its reader reviews; its system by which others can rate reader reviews as to &#8220;helpfulness,&#8221; which yield rankings of top reviewers; and its own peronalized recommendations, extrapolated from buyers&#8217; viewing and buying histories with the site.)<\/p>  <p>Googlezon uses this combined &#8220;detailed knowledge of every user&#8217;s social network, demographics, consumption habits and interests to provide total customization of content &#8212; and advertising.&#8221; (Presumably, this &#8220;content&#8221; includes content from the superior future version of the current day, real-life <a href=\"http:\/\/news.google.com\/nwshp?hl=en&amp;gl=us\" class=\"left-link\" rel=\"noopener\">Google News<\/a>.)<\/p>  <p>In 2010, Googlezon wins its fight with Newsbotser by inventing a clever new technique that further tailors content to the user: &#8220;Googlezon&#8217;s computers construct news stories dynamically, stripping sentences and facts from all content sources and recombining them. The computer writes a [personalized] news story for every user.&#8221;  <\/p>  <p>So to give an example &#8211; mine, not Sloan and Thompson&#8217;s &#8211; suppose the knowledge that Googlezon uses to customize content indicates that a particular user is very interested in international news. In putting together a news story even on a domestic happening, Googlezon could emphasize the international aspects &#8211; stripping from other sites (including blogs), say, only five sentences on the domestic happening, and twenty sentences on its international implications, to make a story. <\/p>    <p>Returning to Sloan and Thompson&#8217;s predictions, in 2011, the <i>New York Times<\/i> and other media whose content is not customized to the user go the Supreme Court, &#8220;claiming that [Googlezon&#8217;s] fact-stripping robots are a violation of copyright law.&#8221; <\/p>  <p>But &#8211; according to Sloan and Thompson &#8211; the old media lose. As a result, they dispappear &#8211; relegated to the status of newsletters for the elite and the elderly!) <\/p>  <p>One legal issue here is obvious: the issue of &#8220;fact-stripping robots&#8221; and copyright infringement, which Sloan and Thompson predict the Supreme Court will resolve in 2011. <\/p>  <p>But as I will explain, these predictions raise a host of other legal issues as well. None of them is easy. <\/p>  <p><b>The First Issue: Do Search Engines Infringe Copyright? <\/b><\/p>  <p><b> <\/b>Let&#8217;s start with the copyright issues raised by the real-life Google News &#8211; which is a component of the hypothetical Googlezon. (In <a href=\"\/legal-commentary\/why-you-cant-sue-google.html\" class=\"left-link\">a prior column<\/a>, I explained why Google News enjoys legal protection against defamation &#8211; but did not discuss its protection, if any, against copyright liability.) <\/p>  <p>When Google displays news items &#8212; in the form of search results containing some text from a given site, plus a link to that site &#8212; does it infringe their copyrights? <\/p>    <p>First, do the links infringe copyright? Probably not. As I pointed out in <a href=\"\/legal-commentary\/should-linking-be-immune-from-lawsuits.html\" class=\"left-link\">an earlier column<\/a>, the legal status of linking isn&#8217;t settled &#8211; but ought to be. When it is settled, however, it seems very likely courts will see links as being mere pointers &#8212; much like non-copyright-infringing citations. A nonfiction book&#8217;s reference section is hardly a host of copyright infringement; neither are links. <\/p>  <p>But what about the material that accompanies the links: chunks of text taken from the site itself?  (In this sense, Google acts not only as a pointer, but also as a frame.) Possibly, this material is not literally copied &#8211; I don&#8217;t know the technical specifics. But a court might find that display of material is, here, the equivalent of copying. And if so, another question will arise: How much verbatim copying is too much, in the online context?<\/p>  <p><b>How Much Verbatim Copying Is Too Much? <\/b><\/p>  <p>That brings us to our core issue: Would Googlezon, indeed, prevail in the hypothetical 2011 Supreme Court case challenging its &#8220;fact-stripping robots,&#8221; which create personalized news stories by grabbing a sentence here, and a sentence there?<\/p>  <p>I think it would, but it wouldn&#8217;t be a slam-dunk case of non-infringement.<\/p>  <p>Offline, as I explained in a prior column, the rule of thumb for many practicing copyright lawyers is that, if a work copies only a small fraction of another work, it&#8217;s probably safe. For instance, say you reprint one page of a two-hundred-page novel. Most would say it&#8217;s not copyright infringement, <u>even if that page is copied verbatim<\/u>. <\/p>  <p>There are some problems with this approach even in the offline world &#8211; as I noted in <a href=\"\/legal-commentary\/matt-drudge-versus-k-street.html\" class=\"left-link\">my earlier column<\/a>. But in the online world, it appears to give Googlezon a license to do exactly what it is doing. <\/p>  <p>Under this rule of thumb, if a given story is assembled by taking snippets from, say, fifty sources, then it probably isn&#8217;t infringing the copyrights of any one of them &#8211; <u>even if the snippets are taken verbatim<\/u>. <\/p>  <p>Granted, this can be a problem of journalistic ethics when actual people do it: It&#8217;s plagiarism, if it isn&#8217;t accompanied by citations.  (Indeed, journalists have gotten in trouble for precisely this problem: Copying snippets of others&#8217; work verbatim, or nearly so, without according them credit.)  <\/p>  <p>But ethics aren&#8217;t law; journalists who plagiarize are typically fired, not sued. And it&#8217;s hard to blame a robot &#8211; or &#8220;bot&#8221; for short &#8212; for failing to have its own, creative thoughts and phrasings. (Maybe in the Twenty-second Century, we&#8217;ll have that kind of bot accountability, but not now.)<\/p>  <p>And, more importantly, Googlezon doesn&#8217;t even have to run afoul of journalistic ethics here: Its fact-stripping robots could easily (and automatically) provide citations to all their sources &#8211; each accessible by a link.   Thus, rather than being an engine of plagiarism, Googlezon&#8217;s fact-stripping bots might be better seen as an engine of compilation.<\/p>  <p>Making compilations like this illegal, as copyright infringement, would challenge the status of a lot of traditional research &#8211; such as virtually any doctoral thesis, nonfiction book, academic paper, and on and on. For this reason, I agree with Sloan and Taylor that the Supreme Court would likely rule for Googlezon &#8211; not &#8220;old media&#8221; &#8211; in its Supreme Court case. <\/p>  <p>But it&#8217;s also possible the Court &#8211; or, ultimately Congress, in the wake of the Court&#8217;s decision &#8211; would rework copyright in a way that better fits the Internet. <\/p>  <p>Copyright is meant, in large part, to protect the market for a given work, and thus to protect incentives to create new works. Yet allowing people to read (for free) a fact-stripping bot&#8217;s compilation of news might undermine the market for newspapers and their online outposts.  And that may lead newspapers to fight back in Congress for a broader version of copyright that would end, or limit, the reign of fact-stripping bots.<\/p>                                                                  \n\n\n<\/span>\n\n\n\n<hr size=\"1\">\n<p class=\"authorfoot\">\n\n<!-- BEGIN AUTHORS FOOTNOTE -->\n<a name=\"bio\"><\/a>\nJulie Hilden, a FindLaw columnist, practiced First Amendment law at the D.C. law firm of Williams &amp; Connolly from 1996-99. Hilden also has experience in criminal motions and appeals. Hilden&#8217;s first novel, 3, was published recently. In reviewing 3, Kirkus Reviews praised Hilden&#8217;s &#8220;rather uncanny abilities,&#8221; and Counterpunch called it &#8220;a must read&#8230;. a work of art.&#8221; Hilden&#8217;s website, www.juliehilden.com, includes MP3 and text downloads of the novel&#8217;s first chapter.\n<br><br>\n\n<\/p>\n    <\/div><div class=\"was-this-helpful\">\n    <div\n            class=\"was-this-helpful__question-container\"\n            aria-labelledby=\"was-this-helpful__question\"\n            role=\"group\"\n    >\n        <span\n                id=\"was-this-helpful__question\"\n                class=\"was-this-helpful__question fl-text-lg-bold\"\n        >Was this helpful?<\/span>\n        <button\n                class=\"was-this-helpful__button fl-text-sm\"\n                aria-label=\"Yes\"\n                value=\"yes\"\n        >\n            <span class=\"was-this-helpful__button-text fl-text-bold\">Yes<\/span>\n            <i class=\"was-this-helpful__button-icon\">\n                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